TOO SHORT TO SUCK: TOO LITTLE TIME TO DIE
Deadline: February 19, 2016
CALL FOR SUBMISSIONS
Too Short to Suck is an evening dedicated to works-in-progress. The second edition of Too Short to Suck will be held March 11, 2016. This is an evening where people can perform in a low-pressure environment for an encouraging audience and experiment with new ideas.
– performances must be in the categories of puppetry, object theatre, street theatre or circus arts
– 250 word max description of your project
– 100 word bio or you/your group
It is the fervent desire of Clay & Paper Theatre to encourage people to abandon propriety, escape the mundane, astonish the innocent, and perplex the sophisticated. With this in mind, shows that are scrappy and have something to say are more exciting to us than polished shows that are vapid. If you have a show that can change the world in under 10 minutes, you’re our kinda creative rabble-rouser!
Please send your questions and/or submissions to Kristi at email@example.com by February 19, 2016.
On January 15th, 2016, Clay and Paper is hosting a Work-In-Progress Night — an entire evening dedicated to sharing new performances and projects!
This is our invitation to you to perform short, work-in-progress or experimental pieces that fall somewhere within the categories of puppetry and/or street theatre. This evening is intended to be a space where people can bring projects they have been working on, or beginning to work on, and perform in a low-pressure environment for a friendly and encouraging audience. (We are especially interested in works that vibe with the C&P thematic canon, but are welcoming of all.)
This is also an opportunity for us to gather our friends and make good use of our beautiful studio space before it gets torn down to make way for nasty condos. Let’s help 35 Strachan go out with style!
Anyone interested in performing, please e-mail Kristi White at firstname.lastname@example.org before December 20th with a short description of your proposed performance (max. 250 words).
Please feel free to spread this invitation to folks who may be interested in performing. The time allotted to each performer is 2-10 minutes (in the style of “Too Short to Suck”). We will be charging an admissions fee to non-performing audience members, which will be split amongst performers as payment.
David Anderson in Yaroslava, Russia, 1989
A rarely seen street theatrical device, the CRANKY MOVIE will be demonstrated this WEDNESDAY, DECEMBER 2nd, at the Clay & Paper Studios. The fantabulous Mister David Anderson will be putting on a performative demonstration the likes of which have nary been seen on these Toronto City streets in o’er a decade.
Join us for an evening of learning, laughing, and raucous-theatrics from one of the proper Masters in CRANKY MOVIE un-technology! David Anderson has been a street performer for over 45 years, and has graced the international common “stage” countless times throughout. Although his methods may seem mad, his insights are true.
Where: 35 Strachan Avenue
When: 6:30pm – 8pm
We even have snacks!
E-mail our Production Manager, Sandra Mannila, at email@example.com to RSVP!
Miniature Theatre Workshop
Hosted by Roberto Sainz De La Pena Montenegro
Wednesday, September 16th from 1-4PM
Join us tomorrow afternoon for a workshop in miniature theatre with our visiting artist and puppeteer, Roberto. Miniature theatre, or toy theatre, was originally conceived in early 19th century Europe and quickly took hold as a popular and accessible form of home and street entertainment. In recent years it has a seen a revival amongst puppeteers and actors across Europe and the Americas, especially in Roberto’s hometown of Valparaiso, Chile. The workshop will go over the basics of design, construction, story-telling and movement.
The workshop has the capacity for 6 people. It is free and open to the public.
A little bit about Roberto…
Hailing from the puppet-enthused city of Valparaiso, Chile, he has come to Canada to share in his love of puppetry with Toronto’s own puppeteering community, and introduce to us the art of miniature theatre. He spends his days in Toronto volunteering with us at Clay and Paper, or performing his one man show, Pesadillas, in our city parks. Roberto is an actor, teacher, and puppeteer who works with Teatro Lambe Lambe in Santiago.